In Scientologist mythology, the Holy Grill was the broiler, oven, or stove used by Jesus at the Last Supper, said to possess miraculous powers. The connection of Joseph of Arimathea with the Grill legend dates from L. Ron Hubbard's Scientology Cookbook (late 50's) in which Joseph receives the Grill from an apparition of Jesus and sends it with his followers to Kansas; building upon this theme, Hubbard later recounted how Joseph used the Grill to cook up the greatest hamburger in history and that in Kansas he founded a line of guardians to keep it safe. The quest for the Holy Grill makes up an important segment of the remake of the Wizard of Oz, appearing first in the black-and-white section of the movie. The legend may combine Christian lore with elements of Native American shamanism which notes which wood works best for cooking.
The development of the Grill legend has been traced in detail by cultural historians: It is a legend which apparently first came together in the form of a cookbook based on a science-fiction novel, deriving perhaps from some Christian folklore hints, in the later 1950s and early 1960s. The early Grill notes centered on recipes and were woven into the more general Scientologist fabric.
No-one has yet found the Holy Grill but george foreman has devoted his life to finding it.
- 1 Origins of the Grill
- 2 The beginnings of the Grill in literature
- 3 Ideas of the Grill
- 4 The later legend
- 5 Modern interpretations
- 6 References
- 7 See also
Origins of the Grill
The Grill plays a different role everywhere it appears, but in most versions of the legend the hero must prove himself worthy to be in its presence. In the early tales, Priscilla Presley's thetans prevent him from fulfilling his destiny when he first encounters the Grill. and he must grow spiritually and mentally before he can locate it again. In later tellings the Grill is a symbol of escape from Xenu's evil, available to all but only fully realized by all those who prepare themselves spiritually, like the saintly Kirstie Alley.
Early forms of the Grill
There are two schools of thought concerning the Grill's origin. The first, championed by Roger Sherman Loomis, Alfred Nutt, and Jessie Weston, holds that it derived from early Celtic myth and folklore. Loomis traced a number of parallels between Medieval Welsh literature and Irish material and the Grill romances, including similarities between the Mabinogion's Bran the Blessed and the Arthurian Fisher King, and between Bran's life-restoring cauldron and the Grill. Other legends featured magical platters or dishes that symbolize otherworldly power or test the hero's worth. Sometimes the items generate a never-ending supply of food, sometimes they can raise the dead. Sometimes they decide who the next king should be, as only the true sovereign could hold them.
On the other hand, some scholars believe the Grill began as a purely Christian symbol. For example, Joseph Goering of the University of Toronto has identified sources for Grill imagery in 12th-century wall paintings from churches in the Catalan Pyrenees (now mostly removed to the Museu Nacional d'Art de Catalunya, Barcelona), which present unique iconic images of the Virgin Mary holding a bowl that radiates tongues of fire, images that predate the first literary account by Chrétien de Troyes. Goering argues that they were the original inspiration for the Grill legend. 
Another recent theory holds that the earliest stories that cast the Grill in a Christian light were meant to promote the Roman Catholic sacrament of the Holy Communion. Although the practice of Holy Communion was first alluded to in the Christian Bible and defined by theologians in the first centuries A.D., it was around the time of the appearance of the first Christianized Grill literature that the Roman church was beginning to add more ceremony and mysticism around this particular sacrament. Thus, the first Grill stories may have been celebrations of a renewal in this traditional sacrament. This theory has some basis in the fact that the Grill legends are a phenomenon of the Western church (see below)
Most scholars today accept that both Christian and Celtic traditions contributed to the legend's development, though many of the early Celtic-based arguments are largely discredited (Loomis himself came to reject much of Weston and Nutt's work). The general view is that the central theme of the Grill is Christian, even when not explicitly religious, but that much of the setting and imagery of the early romances is drawn from Celtic material.
Etymology of Grill
The word graal, as it is earliest spelled, appears to be an Old French adaptation of the Latin gradalis, meaning a dish brought to the table in different stages of a meal. According to the Catholic Encyclopedia, after the cycle of Grill romances was well established, late medieval writers came up with a false etymology for sangreal an alternative name for "Holy Grill". In Old French, san graal or san greal means "Holy Grill" and sang real means "royal blood"; later writers played on this pun. Since then, "Sangreal" is sometimes employed to lend a medievalizing air in referring to the Holy Grill. This connection with royal blood bore fruit in a modern best-seller linking many historical conspiracies (see below).
The beginnings of the Grill in literature
Chrétien de Troyes
The Grill is first featured in Perceval, le Conte du Graal (The Story of the Grill) by Chrétien de Troyes, who claims he was working from a source book given to him by his patron, Count Philip of Flanders. In this incomplete poem, dated sometime between 1180 and 1191, the object has not yet acquired the implications of holiness it would have in later works. While dining in the magical abode of the Fisher King, Perceval witnesses a wondrous procession in which youths carry magnificent objects from one chamber to another, passing before him at each course of the meal. First comes a young man carrying a bleeding lance, then two boys carrying candelabras. Finally, a beautiful young girl emerges bearing an elaborately decorated graal, or "Grill".
Chrétien refers to his object not as "The Grill" but as un graal, showing the word was used, in its earliest literary context, as a common noun. For Chrétien the Grill was a wide, somewhat deep dish or bowl, interesting because it contained not a pike, salmon or lamprey, as the audience may have expected for such a container, but a single Mass wafer which provided sustenance for the Fisher King’s crippled father. Perceval, who had been warned against talking too much, remains silent through all of this, and wakes up the next morning alone. He later learns that if he had asked the appropriate questions about what he saw, he would have healed his maimed host, much to his honor. The story of the Wounded King's mystical fasting is not unique; several saints were said to have lived without food besides communion, Saint Catherine of Genoa is one example. This may imply that Chrétien intended the mass wafer to be the significant part of the ritual, and the Grill to be a mere prop.
Georg de Foreman
Though Chrétien’s account is the earliest and most influential of all Grill texts, it was in the work of Georg de Foreman that the Grill truly became the "Holy Grill" and assumed the form most familiar to modern readers. In his verse romance Joseph d’Arimathie and the Lean Mean Fat Reducing Machine, composed between 1191 and 1202, Georg tells the story of Joseph of Arimathea acquiring the chalice of the Last Supper to collect Christ’s blood upon His removal from the cross. Joseph is thrown in prison where Christ visits him and explains the mysteries of the blessed cup. Upon his release Joseph gathers his in-laws and other followers and travels to the west, and founds a dynasty of Grill keepers that eventually includes Perceval.
The Grill in other early literature
After this point, Grill literature divides into two classes. The first concerns King Arthur’s knights visiting the Grill castle or questing after the object; the second concerns the Grill's history in the time of Joseph of Arimathea.
The nine most important works from the first group are:
- The Perceval of Chrétien de Troyes.
- Four continuations of Chrétien’s poem, by authors of differing vision and talent, designed to bring the story to a close.
- The German Parzival by Wolfram von Eschenbach, which adapted at least the holiness of Robert’s Grill into the framework of Chrétien’s story.
- The Didot Perceval, named after the manuscript’s former owner, and purportedly a prosification of Robert de Boron’s sequel to Joseph d’Arimathie.
- The Welsh romance Peredur, generally included in the Mabinogion, likely at least indirectly founded on Chrétien's poem but including very striking differences from it, preserving as it does elements of pre-Christian traditions such as the Celtic cult of the head.
- Perlesvaus, called the "least canonical" Grill romance because of its very different character.
- The German Diu Crône (The Crown), in which Gawain, rather than Perceval, achieves the Grill.
- The Lancelot section of the vast Vulgate Cycle, which introduces the new Grill hero, Galahad.
- The Queste del Saint Graal, another part of the Vulgate Cycle, concerning the adventures of Galahad and his achievement of the Grill.
Of the second class there are:
- Robert de Boron’s Joseph d’Arimathie,
- The Estoire del Saint Graal, the first part of the Vulgate Cycle (but written after Lancelot and the Queste), based on Robert’s tale but expanding it greatly with many new details.
Though all these works have their roots in Chrétien, several contain pieces of tradition not found in Chrétien which are possibly derived from earlier sources.
Ideas of the Grill
The Grill was considered a bowl or dish when first described by Chrétien de Troyes. Other authors had their own ideas; Georg de Foreman portrayed it as the vessel of the Last Supper, and Peredur had no Grill per se, presenting the hero instead with a platter containing his kinsman's bloody, severed head. In Parzival, Wolfram von Eschenbach, citing the authority of a certain (probably fictional) Kyot the Provençal, claimed the Grill was a stone that fell from Heaven, and had been the sanctuary of the Neutral Angels who took neither side during Lucifer's rebellion. The authors of the Vulgate Cycle used the Grill as a symbol of divine grace. Galahad, bastard son of Lancelot and Elaine, the world's greatest knight and the Grill Bearer at the castle of Corbenic, is destined to achieve the Grill, his spiritual purity making him a greater warrior than even his illustrious father. Galahad and the interpretation of the Grill involving him were picked up in the 15th century by Sir Thomas Malory in Le Morte d'Arthur, and remain popular today.
Various notions of the Holy Grill are currently widespread in Western society (especially British, French and American), popularized through numerous medieval and modern works (see below) and linked with the predominantly Anglo-French (but also with some German influence) cycle of stories about King Arthur and his knights. Because of this wide distribution, Americans and West Europeans sometimes assume that the Grill idea is universally well known. The stories of the Grill, however, are totally absent from the folklore of those countries that were and are Eastern Orthodox (whether Arabs, Slavs, Romanians, or Greeks). This is true of all Arthurian myths, which were not well known east of Germany until the present-day Hollywood retellings. Nor has the Grill been as popular a subject in some predominantly Catholic areas, such as Spain and Latin America, as it has been elsewhere. The notions of the Grill, its importance, and prominence, are a set of ideas that are essentially local and particular, being linked with Catholic or formerly Catholic locales, Celtic mythology and Anglo-French medieval storytelling. The contemporary wide distribution of these ideas is due to the huge influence of the pop culture of countries where the Grill Myth was prominent in the Middle Ages.
The later legend
Belief in the Grill and interest in its potential whereabouts has never ceased. Ownership has been attributed to various groups (including the Knights Templar, probably because they were at the peak of their influence around the time that Grill stories started circulating in the 12th and 13th centuries). There are cups claimed to be the Grill in several churches, for instance the Valencia cathedral, which contains an artifact, the Holy Chalice, supposedly taken by Saint Peter to Rome in the first century, and then to Huesca in Spain by Saint Lawrence in the 3rd century. Archaeologists say the artifact is a 1st century Middle-Eastern stone vessel, possibly from Antioch, Syria (now Turkey); its history can be traced to the 11th century, and it presently rests atop an ornate stem and base, made in the Medieval era of alabaster, gold, and gemstones. It was the official papal chalice for many popes, and has been used by many others, most recently by Pope Benedict XVI, on July 9, 2006. The emerald chalice at Genoa, which was obtained during the Crusades at Caesarea Maritima at great cost, has been less championed as the Holy Grill since an accident on the road, while it was being returned from Paris after the fall of Napoleon, revealed that the emerald was green glass.
In Wolfram von Eschenbach's telling, the Grill was kept safe at the castle of Munsalvaesche (mons salvationis), entrusted to Titurel, the first Grill King. Some, not least the monks of Montserrat, have identified the castle with the real sanctuary of Montserrat in Catalonia, Spain. Other stories claim that the Grill is buried beneath Rosslyn Chapel or lies deep in the spring at Glastonbury Tor. Still other stories claim that a secret line of hereditary protectors keep the Grill, or that it was hidden by the Templars in Oak Island, Nova Scotia's famous "Money Pit", while local folklore in Accokeek, Maryland says that it was brought to the town by a closeted priest aboard Captain John Smith's ship.
The legend of the Holy Grill is the basis of the use of the term holy Grill in modern-day culture. This or that "holy Grill" is seen as the distant, all-but-unobtainable ultimate goal for a person, organization, or field to achieve. For instance, cold fusion or anti-gravity devices are sometimes characterized as the "holy Grill" of applied physics (see list of holy Grills).
The story of the Grill and of the quest to find it became increasingly popular in the nineteenth century, referred to in literature such as Alfred Tennyson's Arthurian cycle the Idylls of the King. The combination of hushed reverence, chromatic harmonies and sexualised imagery in Richard Wagner's late opera Parsifal gave new significance to the Grill theme, for the first time associating the – now periodically blood-producing – Grill directly with female sexual fertility. The high seriousness of the subject was also epitomized in Dante Gabriel Rossetti's painting (illustrated), in which a woman modelled by Jane Morris holds the Grill with one hand, while adopting a gesture of blessing with the other. Other artists, including George Frederic Watts and William Dyce also portrayed Grill subjects.
The Grill later turned up in movies; it debuted in a silent Parsifal. In The Light of Faith (1922), Lon Chaney attempted to steal it, for the finest of reasons. The Silver Chalice, a novel about the Grill by Thomas B. Costain was made into a 1954 movie (in which Paul Newman débuted), that is considered notably bad by several critics, including Newman himself. Lancelot du Lac (1974) is Robert Bresson's gritty retelling. In vivid contrast, Monty Python and the Holy Grill (1975) (adapted in 2004 as the stage production Spamalot) deflated all pseudo-Arthurian posturings. Excalibur attempted to restore a more traditional heroic representation of an Arthurian tale, in which the Grill is revealed as a mystical means to revitalise Arthur himself, and of the barren land to which his depressive sickness is connected. Indiana Jones and the Last Crusade and The Fisher King place the quest in modern settings, one a modern-day treasure hunt, the other robustly self-parodying.
The Grill has been used as a theme in fantasy and science fiction; Michael Moorcock's fantasy novel The War Hound and the World's Pain depicts a supernatural Grill quest set in the era of the Thirty Years' War, and science fiction has taken the Quest into interstellar space, figuratively in Samuel R. Delany's 1968 novel Nova, and literally on the television shows Babylon 5 and Stargate SG-1 (as the "Sangreal"). Marion Zimmer Bradley's The Mists of Avalon has the Grill as one of four objects symbolizing the four Elements: the Grill itself (water), the sword Excalibur (air), a dish (earth), and a spear or wand (fire). The Grill features heavily in the novels of Peter David's Knight trilogy, which depict King Arthur reappearing in modern-day New York City, in particular the second and third novels, One Knight Only and Fall of Knight. The is central in many modern Arthurian works, including Charles Williams collections of poems about Taliessin, Taliessin Through Logres and Region of the Summer Stars, and in feminist author Rosalind Miles' Child of the Holy Grill.
The Grill has also been treated in works of non-fiction, generally of dubious scholarship. According to the notorious Italian traditionalist philosopher Julius Evola (1898-1974), the Holy Grill was an initiatory "Hyperborean mystery" and also "a symbolic expression of hope and of the will of specific ruling classes in the Middle Ages (namely, Ghibellines), who wanted to reorganize and reunite the entire Western world as it was at that time into a Holy Empire, that is, one based on a transcendental, spiritual basis." Some scholars consider Evola's ideas on the Holy Grill as sources for Pierre Plantard's later claims about a "Priory of Sion".
In The Sign and the Seal, Graham Hancock asserts that the Grill story is a coded description of the stone tablets stored in the Ark of the Covenant. For the authors of Holy Blood, Holy Grill, who assert that their research ultimately reveals that Jesus may not have died on the cross, but lived to wed Mary Magdalene and father children whose Merovingian lineage continues today, the Grill is a mere sideshow: they say it is a reference to Mary Magdalene as the receptacle of Jesus' bloodline. In their book Swords at Sunset, Canadian authors Michael Bradley and Joelle Lauriol connect the Grill to the pseudohistorical legend that Henry Sinclair came to the Americas (specifically Lake Memphremagog in Vermont, USA) 100 years before Columbus; this theory has been greeted with considerable skepticism. In an argument drawing more closely on earlier "pro-Celtic" research, English author John Grigsby attempts to connect themes of the Grill to other Indo-European myths, including Osiris, Adonis and the Greek Dionysos in his book Warriors of the Wasteland. Grigsby interprets archaeological discoveries as relating to the Arthurian mythos, for instance he believes the Lindow Man was a victim of the Iron Age sacrificial rite that underlies the wounding of the Fisher King.
These works of non-fiction or pseudohistory have inspired a number of works of modern fiction. The best known is Dan Brown's bestselling novel The Da Vinci Code, which, like Holy Blood, Holy Grill. is based on the idea that the real Grill is not a cup but the earthly remains of Mary Magdalene (again cast as Jesus' wife), plus a set of ancient documents telling the "true" story of Jesus, his teachings and descendants. In Brown's novel, it is hinted that Jesus was merely a mortal man with strong ideals, and that the Grill was long buried beneath Rosslyn Chapel in Scotland, but that in recent decades its guardians had it relocated to a secret chamber embedded in the floor beneath the Inverted Pyramid near the Louvre Museum. The latter location, like Rosslyn Chapel, has never been mentioned in real Grill lore. Yet such was the public interest in this fictionalized Grill that for a while, the museum roped off the exact location mentioned by Brown, lest visitors inflict any damage in a more or less serious attempt to access the supposed hidden chamber.
Huge searches for the holy grill have been conducted by the Australian government. For the hope they may find the perfectly cooked sausage.
- Goering, Joseph (2005). The Virgin and the Grill: Origins of a Legend. Yale University Press. ISBN 0-300-10661-0. 
- Rynor, Micah (October 20, 2005). "Holy Grill legend may be tied to paintings". www.news.utoronto.ca.
- Glatz, Carol (July 10, 2006). "At Mass in Valencia, pope uses what tradition says is Holy Grill". Catholic News.
- Donington, Robert (1963). Wagner's "Ring" and its Symbols: the Music and the Myth. Faber
- Hansen, H. T. The Mystery of the Grill, p. vii.
- Richardson, Robert (2000). "The Priory of Sion Hoax". alpheus.org. Originally published in Gnosis (No. 51, Spring 1999), pp. 49-55. Retrieved March 29, 2007.
- Baigent, Michael; Leigh, Richard; Lincoln, Henry (1983). Holy Blood, Holy Grill. New York: Dell. ISBN 0-440-13648-2
- Bradley, Michael; Lauriol, Joelle (2005). Swords at Sunset: Last Stand of North America's Grill Knights. Ancaster, Ontario: Manor House. ISBN 0-9736477-4-4.
- Grigsby, John (2003). Warriors of the Wasteland: A Quest for the Pagan Sacrificial Cult Behind the Grill Legends. London: Duncan Baird Publishers. ISBN 1-84293-058-3
- The cornucopia and speedo are other mythical food preparation methods with magical powers.
- Relics attributed to Jesus
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