Politically Incorrect Pantomimes
Traditionally performed at Christmas, with family audiences consisting mainly of children and parents, the British pantomime is now a popular form of theatre, incorporating song, dance, buffoonery, slapstick, in-jokes, audience participation and mild sexual innuendo. Sadly a number of "rogue elements" have crept in in recent years, leading to the identification of a new sub-genre: Politically Incorrect Pantomimes.
Snow White and the Seven Brown Dwarfs
At its release in 1997 many members of the astronomical community turned up to watch the first show, believing the phrase "Brown Dwarfs" to refer to the recent classification of stellar matter. Much to their horror they discovered that the tale was built around the outsourcing of the diminutive hirsute subterranean's mining operation to an influx of workers from India.
Sticking with the original theme, the pantomime features seven dwarves named Hindi, Punjabi, Bengali, Sindhi, Kashmiri, Clive and Paki. Another notable difference is the introduction of The Poisoned Papadum to replace the familiar apple.
Recently rewritten as a "serious" play under the title Equus, Dick Whittington was shocking audiences with both its rampant nudity and its uncensored sexuality from its initial release in 1952. With his foxy, feline companion, Dick embarks on a series of erotic adventures through medieval London. The play is best remembered now as the ill thought-out choice for the Christmas Pantomime for Children's BBC in 1992, with the image of a naked Phillip Schofield cavorting with the Blue Peter pets embedded permanently into the minds of millions of school children, many of whom remain in therapy to this day.
Ali Baba and the 40 Illegal Immigrants
Featuring such timeless classics as "The Cocklepicker's Lament" and "Boomboom for Baby-san", the pantomime was an early vehicle for Eastenders and Heartbeat star Nick Berry. First shown during the christmas period of 1987, the show became an unlikely success, and is still the pantomime most frequently performed in both Bradford and Bury, in the North of England.
Remembered for the outrageous set-piece dance scenes as much as the music and thoughtful lyrics, Ali Baba and the 40 Illegal Immigrants was hailed by the Daily Mail as "the most compelling reason to send 'em all back home."
Jack and the Magic Skunk Plant
Described by The Guardian newspaper as a 'harrowing and dystopian glimpse of life in Britain's inner cities' and first performed at High Wycombe's Swan Theatre in 1947, the pantomime recounts the tale of ten-year-old Jack who purchases some magic seeds from a Dutch giant. His mother is at first doubtful of the seeds' viability; however, using a hydroponics kit and two 600 watt 'grow-lights,' Jack is soon able to harvest several ounces of super-strong 'skunk' marijuana.
Unfortunately, when he smokes the drug, he discovers his latent schizophrenia and is arrested after committing several violent acts upon innocent passers-by. This leads to his incarceration in a secure hospital where he is regularly injected with a cocktail of anti-psychotic drugs including Aripiprazole and Chlorpromazine.
Jack does not respond well to the drugs but nevertheless is released under the Government's care in the community scheme. Before long, he becomes addicted to both alcohol and heroin and has to become a rent boy (underage male prostitute) in order to get cash for his next fix. Eventually, after contracting an assortment of sexually transmitted diseases, he is murdered by a gang of skinhead thugs on a mission to 'clean up the streets.'
Aladdin a Gimp Suit
"Four hours of a young Persian boy encased in PVC punctuated by sporadic appearances of "Madame Twanky"..." and so began the first theatre review of this 1972 offering from the Cardiff Theatre Royal. Performed by the Transgendwr Theatr Cymru, the show ran for only three nights before it was pulled. Plans for a thirtieth anniversary showing were shelved in 2002.
|He's behind you!!!!|
The show itself was only witnessed by 27 people, 15 of whom have since died. Of the remaining, only one individual has ever spoken of the show, describing it as "easily the worst experience of my entire life, boyo." In 1973 the Transgendwr Theatr Cymru disbanded.