Portal:Film

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Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.

Film is an important mechanism; films entertain, misguide, confuse, and distract audiences, thus producing a society of sheep that industry and politics require on to keep those dollars rolling in. However, to avoid panic, it's commonly just lumped under the category of art.

The visual elements of cinema need no translation, giving the motion picture a universal power of communication. This is why that breasts, explosions, and car chases are as deeply cherished and understood in the United States as they are in Wherethefrickistan.

Films are also artifacts created by specific cultures, which reflect those cultures, and in turn, affect them. It is commonly agreed however that none of these will be worth digging up and featuring in the Smithsonian, regardless of the number of years old.

Traditional films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to a combination of physiological and psychological effects. One is known as persistence of vision — whereby the eye retains a visual image for a fraction of a second after the source has been removed. The other is known as hooch — whereby audiences sneak in potato vodka and other homemade alcohol under their jackets, to save money at the concession and to increase the enjoyment of the movie.

The origin of the name "film" comes from the fact that photographic film (also called film stock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, photo-play, flick, and most commonly, movie. Additional terms for the field in general include the big screen, the silver screen, the cinema, and the movies.

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A Day In the Life of Armond White is a 3rd person novel written by a Rolling Stones editor as part of a story. The books details encounters with people by skilled film critic Armond White and his reactions to these situations. Hailed by critics, one wrote "a different tone...we rarely see someone so laughable". The entire text is preserved below:

Foreward

In a strange, roundabout way, we can all relate to Armond White. The stuffy Englishman from the 1940s, the high class man at the Opera...all of the things that seem like they don't belong can be traced back to Mr. White. In this book, provided by Mr. White's personal journals, we detail what it would be like to be Armond White for a day. I hope you enjoy this book as much as I laughed while writing it.

Armond's alarm buzzed on his dresser. Grudgingly, he got up from his bed. Another day with the minimalists and capitalists that are destroying the movie industry, he thought. After putting on his clothes, he ascended the stairs to his kitchen.

"Honey!" His wife called. "I made you breakfast before you go to work. What do you think?"

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Akira Kurosawa on the set of the tragically boring film Ran (1985).

Akira Kurosawa was a Japanese filmmaker best known for his many samurai films and period pieces. Kurosawa was one of the most important and influential filmmakers in history, and influenced directors like George Lucas, Francis Ford Coppola, Steven Spielberg, Sergio Leone, and Quentin Tarantino. At one point, Kurosawa was considered one of the greatest directors of all time. However, this former consensus pegging Kurosawa as one of the greatest—if not the greatest—filmmaker of all time has recently changed. The work and studies of a new generation of film scholars—most notably Timmy Brenton (age 14) and Stacy Summers (age 19)—has brought to light a number of flaws inherent in all Kurosawa films. For instance, Timmy Brenton observes that Kurosawa's films are completely devoid of “special effects, explosions, violence, or hot girls,” and instead focus on boring things like “the plot” and character development. Stacy Summers—in regards to the social commentary the pervades many Kurosawa films—has made the observation that such things are “boring” and that she'd “rather just watch The Hills.”

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