is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry
. Films are produced by recording
images from the world with cameras
, or by creating images using animation
techniques or special effects
Film is an important mechanism; films entertain, misguide, confuse, and distract audiences, thus producing a society of sheep that industry and politics require on to keep those dollars rolling in. However, to avoid panic, it's commonly just lumped under the category of art.
The visual elements of cinema need no translation, giving the motion picture a universal power of communication. This is why that breasts, explosions, and car chases are as deeply cherished and understood in the United States as they are in Wherethefrickistan.
Films are also artifacts created by specific cultures, which reflect those cultures, and in turn, affect them. It is commonly agreed however that none of these will be worth digging up and featuring in the Smithsonian, regardless of the number of years old.
Traditional films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to a combination of physiological and psychological effects. One is known as persistence of vision — whereby the eye retains a visual image for a fraction of a second after the source has been removed. The other is known as hooch — whereby audiences sneak in potato vodka and other homemade alcohol under their jackets, to save money at the concession and to increase the enjoyment of the movie.
The origin of the name "film" comes from the fact that photographic film (also called film stock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, photo-play, flick, and most commonly, movie. Additional terms for the field in general include the big screen, the silver screen, the cinema, and the movies.
is a 2009 UnFilm Production, directed by a bunch of idiots
with a video camera, and starring, believe it or not, Cameron Diaz
. She obviously hasn't got much good work recently, if this is the kind of thing she is reduced to working in...
A nursery, somewhere sunny and beautiful in California. Jane is helping out some little kids paint.
- Jane: Okay, kiddies, it's time to put away the paintbrushes. You're going home now! (muttered) Thank God.
- Child: Why are you thanking God?
- Jane: Because he made our beautiful world, Ben, now stop licking the paintbrush and put it away.
Sam then walks in to pick up his child.
- Child: Daddy!
- Sam: Hello, son! Oh, its so nice to see you. What a shame your mother died in a car crash and now I'm a single parent...
- Jane: (overhearing) Oh my gosh, I'm so sorry to hear that.
- Sam: Oh, don't worry. I'm Sam, by the way.
- Jane: I'm Jane.
- Sam: Nice to meet you Jane. That's a nice top.
- Jane: Why, thank y-
- Sam: Wanna fuck?
- Jane: What!? No!
- Sam: (sadly) Oh. It was worth a try.
- Child: Let's go, Daddy!
- Sam: Yep, let's go. Say goodbye to the sexy nursery teacher.
- Child: Goodbye!
was a Japanese
filmmaker best known for his many samurai
films and period pieces. Kurosawa was one of the most important and influential filmmakers in history, and influenced directors like George Lucas
, Francis Ford Coppola
, Steven Spielberg
, Sergio Leone, and Quentin Tarantino
. At one point, Kurosawa was considered one of the greatest directors of all time. However, this former consensus pegging Kurosawa as one of the greatest—if not the
greatest—filmmaker of all time has recently changed. The work and studies of a new generation of film scholars—most notably Timmy Brenton
(age 14) and Stacy Summers
(age 19)—has brought to light a number of flaws inherent in all Kurosawa films. For instance, Timmy Brenton observes that Kurosawa's films are completely devoid of “special effects, explosions, violence, or hot girls,” and instead focus on boring things like “the plot” and character development. Stacy Summers—in regards to the social commentary the pervades many Kurosawa films—has made the observation that such things are “boring” and that she'd “rather just watch The Hills
2001: A Space Odyssey •
Albanian interpretationalist cinema •
Blade Runner •
Carry On Films •
Cthulhu 2: Electric Boogaloo •
Donnie Darko •
Dr. No •
Eadweard Muybridge, Zoopraxographer •
G Rated Talking Animal Movie •
The Last Temptation of Christ •
Logan's Run •
Passion of the Christ 2 •
Pirates of the Caribbean •
Robert's Rules of Order: The Movie •
Surprise Ending •
The Wizard of Oz •
You Don't Mess with the Zohar •